![]() ![]() His postwar years were impaired by ill health caused by a near-fatal bout of polio in his early forties. If you have any information, please contact the end of World War II, Mitchell returned to London. The Monuments Men Foundation is very interested in knowing more about Mitchell’s involvement with the MFAA. He joined the civilian staff of the Admiralty in 1939 and later received commissions in the Special Branch of the Royal Navy Volunteer Reserve (RNVR) and British Naval Intelligence. He joined the museum’s staff in 1935 and quickly became a connoisseur of maritime paintings. Mitchell began his professional career at the National Maritime Museum in Greenwich, England. Determined not to contribute to Nazi economy, he reportedly slept outside in ditches and ate as little as possible. He travelled to Germany to study the works of Matthias Grünewald in preparation for his thesis on Grünewald’s famed Isenheim Altarpiece. ![]() He then began a degree in literature under the mentorship of Sir Karl Parker, Keeper of Prints at Oxford’s Ashmolean Museum. He studied Italian Renaissance arts, literature, and architecture, completing an in-depth analysis of The Tempio Malatestiano, the quattrocento cathedral designed by Leon Battista Alberti. Captivated by the Humanistic ideals of Neo-Platonism and the Italian Renaissance, his academic focus soon shifted from history to philosophy and the humanities. ![]() While his careful devotion to research made him a natural student, his curiosity bred a spectrum of varied interests. John’s College, Oxford University, where he studied history. Lethaby, a friend and contemporary of Morris. Mitchell’s father, Stanley Mitchell, was a pupil of the artist W. He was exposed to the works of Art and Crafts pioneer William Morris at young age. Art historian and professor, Charles Mitchell was born in London, England on January 25, 1912. ![]()
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